Petra Kuppers, Stephanie Heit & Ching-In Chen!

February 19, 2017 5:00 PM

California College of the Arts Writers' Studio

195 de Haro, San Francisco, 94107
$6-10. No one turned away for lack of funds
Free for members
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At this unique event, Stephanie Heit and Petra Kuppers will hold open spaces of healing by sharing scores and insights from Tendings, small everyday collaborative practices that combine experiential anatomy, eco-specific investigations, somatic exercises, and writing. They will follow these practical explorations with sample writings from Stephanie’s The Color She Gave Gravity, and Petra’s PearlStitch, feminist poetics in queer/crip/mad space.

Meet our readers

Stephanie Heit

is a poet, dancer, and teacher of somatic writing, Contemplative Dance Practice, and Kundalini Yoga.

She lives with bipolar disorder and is a member of the Olimpias, an international disability performance collective. Her debut poetry collection, The Color She Gave Gravity (The Operating System 2017), was a Nightboat Poetry Prize finalist. Her work most recently appeared in Midwestern Gothic, Typo, Streetnotes, Nerve Lantern, QDA: A Queer Disability Anthology, Spoon Knife Anthology, Theatre Topics, and Research in Drama Education: The Journal of Applied Theatre and Performance.

Petra Kuppers

is a disability culture activist, a community performance artist, and a Professor of English and Women’s Studies at the University of Michigan, teaching in performance studies.

She also teaches on the low-residency MFA in Interdisciplinary Arts at Goddard College. Her most recent poetry collection, PearlStitch, appeared with Spuyten Duyvil Press (2016). She is the Artistic Director of The Olimpias, an international disability culture collective, and in 2016/7 she was engaged in the Asylum Project, co-led with her partner Stephanie Heit. You can hear about her perspectives on disability arts and community arts in this October 2016 podcast. The PBS series Detroit Performs created this short documentary about Petra’s community performance practice.

Ching-In Chen

is the author of The Heart’s Traffic (Arktoi Books) and recombinant (Kelsey Street Press) and co-editor of The Revolution Starts at Home: Confronting Intimate Violence Within Activist Communities (South End Press; AK Press) and Here is a Pen: an Anthology of West Coast Kundiman Poets (Achiote Press).

A Kundiman, Lambda, Watering Hole and Callaloo Fellow, they are part of the Macondo and Voices of Our Nations Arts Foundation writing communities. Their work has appeared in The Best American Experimental Writing, The &NOW Awards 3: The Best Innovative Writing, and Troubling the Line: Trans and Genderqueer Poetry and Poetics. They are a senior editor of The Conversant and poetry editor of Texas Review. They are currently teach creative writing and world literature at Sam Houston State University.